The thing about this is, however, that, again, Tree antagonizes everyone around her, I thought it would have been cool if the killer had been someone different each day. So it could be literally anybody on campus, since this party is attended by 'everybody' and there's obviously some symbolism to Tree being murdered on her birthday. The thing about the movie is, since Tree is such an asshole to everyone, that means that just about everyone could be her killer, particularly since Danielle (the head of the sorority, I think) was planning this surprise birthday party for her later in the night. She values her sorority above all else and stupid, shallow shit like that.

I'll get this right out of the way first of all, since I did like this movie so much, but Tree (Teresa, but everyone calls her tree), originally, is portrayed as someone who's incredibly unlikable and bitchy to everyone around her. I will say that there is some missed potential with this movie. You could make that argument and I wouldn't entirely disagree with you, but it's just that the movie does enough that feels that is its own that it doesn't feel like a shameless rip-off, because it's NOT a shameless rip-off. And you'd think that this movie following that same basic 'time loop' concept would lead to you thinking that it's just a horror version of Groundhog Day. Of course, with the minor exception that, in this movie, the lead character ends up dead at the end of the day. This is a subversion of slasher tropes under the framework that Groundhog Day laid out for us long ago, where one character relives the same day over and over and over and over again. It is a PG-13 movie, to be sure, but the style is completely different than that of the Disney mold. At first, I was gonna include this movie in that list, but, realistically speaking, this doesn't come close to fitting that Disney horror mold in the slightest. To summarize it, Disney horror is horror that is easily consumable for an audience that may not necessarily enjoy horror all that much, like your sweet-ol' grandma, as an example. I was talking about Disney horror in my review of Insidious: The Last Key a few days ago. In short, I've grown to have a lot of respect for Blumhouse and their place in the horror pantheon. Not every one of their releases ends up being a winner, that's an unrealistic standard to expect, but they are one of the biggest horror production companies and I think it's in part due to the fact that, seemingly, the people at Blumhouse really do seem to care about their craft and they might believe in a script that, say, no one else might have looked at. The film is known for Paranormal Activity (all of them, sadly), Get Out, Split, Sinister 1 and 2, Insidious (again, all of them), the entire Purge franchise, among many, many and I do mean many others, including this one (naturally). That's not all they do, of course, but it's what they're most known for.

You know, I don't think I've given Blumhouse Production credit for being a really strong production company as it relates to horror, thrillers and suspense.

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